This way you give the instruments that you want to dominate the lower mids as much space as you can. leaves them alone), but reduces lower frequencies below a certain frequency threshold that you can set. This is where an HPF ( High Pass Filter) can be a very useful tool. This can contribute to the muddiness, especially it you have a high track count in your project. A track that mainly has much higher frequencies will have at least some content in the lower-mid space, even if not very much. The idea is to have just one source “own” this part of the frequency spectrum in your mix.Įven tracks that don’t on the face of it have much of their audio content in the lower-mid space can cause issues. It could be a bass guitar, or maybe a rhythm guitar or a keyboard. Decide which track you want to be dominant in this range and leave that one alone. It is often a good tactic to leave just one of the tracks without a cut. It’s important to do this without soloing the tracks so you can judge the effect the cut has on the mix as a whole. Experiment with the exact frequency to cut, and don’t cut exactly the same on each track. Take each track in turn with a significant portion of their sound in the lower mids – guitars are a common culprit – and try making a narrow cut at a frequency in that range. Even if the tracks sound great when solo’d, when played together the build-up of frequencies in that problem range can cause the whole mix to sound muffled. When several instruments with a significant part of their sound in the lower mid-range (generally regarded as between 200-500Hz) are played together, they can start to sound unclear or muddy. If you are interested in checking out the best recording gear such as audio interfaces, studio monitor speakers, microphones, etc., you can find them at Amazon by clicking here.
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